Scroll down to see all 54 Loteria paintings in this installation

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Every culture has its idioms and icons -certain words and images that transcend the literal and reside in the psyches of the people. This installation entitled “La Lotería: An Exploration of México” explores some of the ubiquitous images of Mexico by using the format of La Lotería, a popular Mexican game of chance. This artwork has drawn upon Mexican traditions, historical figures, gastronomy, and popular culture, translating them into images familiar and recognizable to those who have experienced this distinctive culture. The purpose of this installation is to inspire interest, understanding, and dialog between the people of the United States and Mexico.

I wanted to show people in the US how sophisticated and rich the culture of Mexico is, in a fun and interesting way by using the format of the much loved Mexican game of chance called “Lotería.” There are 54 cards in a Loteria deck -hence the total number of 54 small paintings in this installation. I wanted to paint images, impressions, and ideologies that would tell of my experiences of the Mexican culture in a fun and objective way.

Though I have been traveling, and living in Mexico off and on for over 20 years, this installation was conceived while I was living in San Miguel de Allende, Guanajuato, Mx. in 1995 – 1997. I spent 1 year in research on the historical and social importance of this game, and 1 year in production.

Many images within this installation depict icons of humor, irony, and faith found throughout Mexico which are concepts that are often employed to deal with the harsh realities of life. These concepts allow many people living in Mexico to maintain sanity in a context, that at times, seem controlled by the irrational.

Many Americans at the time, only knew of the stereotypical persona of someone from Mexico as a day-laborer, housekeeper, or child care provider, and I wanted to help change and broaden that perception. Fortunately, the NEA and the Arizona Commission on the Arts agreed to my proposal in 2000 and gave me a grant to research and fund this project in order to bring more awareness to the American people about our neighbors South o the border.

This work resulted in having an official ¨Nuevo Lotería¨ game published by Don Clemente Gallo, who also sponsored the tour of the artwork to various Museums and Cultural Centers in Mexico. The royalties I earned from Gallo, I donated to FAI Save the Children Foundation, Mexico. Then with the help of the AZ Commission on the Arts it toured in the US for approx. 10 years. If you are interested in exhibiting this work please feel free to contact me. Also I had the fortune to collaborate with the famous Latin-America writerIlan Stavans publishing a book titled “Loteria” by UA Press.

What does “line” mean as a sports betting term? Another term for “point spread.” It is the betting “line” or gambling odds used to determine the parameters for wagering on either the favorite. What is a Betting Line? A betting line is a form of betting whereby the bookmaker handicaps a team/player to effectively make the contest 50/50. This handicap is set by creating a margin (line) between the two teams, in a contest where there are only two outcomes possible. An Example of How Betting Lines Work. Different sports have different types of wagers available, such as the run line in baseball or the puck line in hockey, both of which replace the money line found in our football example. The more experience you have watching and gambling on different sports, the faster you’ll be able to read betting lines.

Each image was created independently without reference to the others. Despite this, certain themes may be discerned within the installation. Food, for example often has strong ties to national identity. When consumed, it often evokes memories of childhood and family ties. The food depicted within this installation is found throughout Mexico –including comfort food dishes like “No. 50 Pozole”a green or red chili based broth with hominy and pork along with lots of fresh garnishes of lettuce, limes, chili, oregano, radishes, onions, cilantro and tostadas to break up and put on top. “No. 19 Los Nopales” is a vegetarian dish of cactus pads, and the refreshing drink of rice milk and cinnamon “No. 17 Horchata” often served in plastic bags and a straw. Many street corner vendors offer sugary long donuts “No. 49 Los Churros”and flavors of guava and mango popsicles “No. 22 La Paleta” and children peddle gum extracted from the sap of the Sapodilla trees in the Yucatán Peninsula “No. 24 Chicle.”

On the surface, Mexico may appear to be a homogeneous society in regards to its Catholic beliefs. However, faith is practiced in a wide spectrum. This ranges from the traditional objects of devotion –Candles “No. 16 La Veladora”many are lit in churches or home altars to ask for help. Displayed in churches and cathedrals “No. 26 Ex-votos”are testaments to the saints who answered their prayers, typically painted on tin. You’ll see tiny medals of body parts, proclaiming and asking for miracles “No. 36 Los Milagros”and Hand Carved Saints with the colonial Spanish blue painted bodies “No. 11 La Santita Azul”to images of the wealthy pope with a gold tooth shown as a Day of the Dead sugar skull “No. 23 Dia de Muertos.” Magical powders for protection “No. 33 Polvo Magíco” and the ever-present diablito “No. 21 Lujeria“who provides continuous temptations in all forms of lust and money. These are all examples of the indigenous, colonial, and contemporary mix of beliefs found in Mexico.

The male figures in this installation embody many of the traits most admired in Mexican culture. We see the machismo of the street-corner fire eater “No. 5 El Tragafuegos” and the professional wrestler “No.7 El Luchador.” We see the quiet dignity of the unassuming humanitarian physician Dr. Jose Gregorio Hernandez “No. 3 El doctor” so widely revered throughout Latin America known to posthumously leave prescription notes by the bedside of the ill who prayed to him. Ironically the two most recognized men within this series are masked. Since Pre-Columbian times Mexico has been enamored with the mask. It serves as both a shield and a hiding place. The famous good-guy luchador who gave his winnings to orphanages “No.9 El Santo” and the popular spokesperson for the Zapatista movement, Subcomandante Marcos “No. 39 El Revolucionario” each represent a masked champion whose silent face embodies the face of millions.

The female figures of this series also represent strong individuals whose actions have had an impact on many, even if their voices were heard by only a few. “No.12 La Corona”refers to the pious nuns whose portraits were painted for posterity before entering the cloistered 17th century convents to never be seen again after taking their vows to God. A paper mache doll with a name on it “No.51 La Muñeca”was used by prostitutes who would indicate their availability by displaying them in the windows of brothels. We see the revolutionary Doña Josefa Ortiz de Domínguez “No. 52 La Corregidora” whose whispers helped free Mexico from Spain, and the Virgin of Guadalupe who spoke only to Juan Diego and became the crucial link between European Catholic and indigenous spirituality. No other woman’s image is as widespread as this Virgin’s, whose depictions run from the divine to the sublime, from high art to kitsch as in “No. 47 La Virgen Fosforescente.”

Mexico offers a broad spectrum of popular and high culture, from the fashionable modern soap opera “No. 54 La Telenovela”and the graphic novels of “No. 18 La Historietas” to the famed poet Sor Juana Inés de la Cruz “No.32 La Poetisa.” How poignant to realize that Sor Juana’s works were deemed scandalous and she was ostracized in her own lifetime, yet her face now graces the Mexican currency used to purchase the necessities of life -a perfect example of how sometimes irony and humor are often unintentionally juxtaposed in a culture. This installation embodies only a portion of the diversity of Mexico, and its aim is to give viewers from America and other cultures a sense of the richness Mexico offers to the world at large. We all share similar beliefs –including desire “No. 2 Desear”liberty “No. 38 La Libertad” and a sense of destiny “No. 40 El Destino.” Although this installation is only a small attempt to express the unique culture of Mexico from an outsider artist like me, may passion serve as apology for imperfection.

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“Lotería: An Exploration of Mexico” understanding the culture of Mexico in the format of the traditional Mexican board game “La Lotería.” A series of 54 paintings each representing themes of food, social, historical, and pop-cultural imagery from the culture of Mexico, experienced by American artist Teresa Villegas. The original artwork of this installation is available for purchase and exhibition contact artist here.

54 Loteria Deck Of Cards

Limited edition prints from this collection are available for sale on Etsy.com